Here/there: chúng tôi
Curated by Audrey Bùi
Artists: Anh Nguyễn, Chau Nguyễn, Veronica Y Phạm, Ann Phong,
Anh Thy Hoang, Julia Huỳnh, Nguyễn Thị Phương-Lan, and Michael Thế Khôi Trần.
Exhibition dates: December 6-16, 2024
Opening Reception: December 6, 5-8 PM
Gallery Hours: Monday-Saturday, 12-8 PM
Free admission
Black Umbrella Gallery
12951 Main Street,
Garden Grove, CA 92840
The Vietnamese American Arts and Letters Association presents
Here/There: Chúng Tôi as the 2024 Gallery Beyond Walls Exhibition curated by Audrey Bùi.
“Every voyage can be said to involve a re-sitting of boundaries. The traveling self is here both the self that moves physically from one place to another, following “public routes and beaten tracks” within a mapped movement; and that the self that embarks on an undetermined journeying practice, having constantly to navigate between home and abroad, native culture and adopted culture, or more creatively speaking, between a here, a there, and an elsewhere.”
Trinh, T. Minh-Ha. 2011.
Elsewhere, within Here: Immigration, Refugeeism and the Boundary Event.
London: Routledge; pg 26.
Here/There: Chúng Tôi takes a cumulative glance at the different ways care has been imbued in traditional practices of art making and reinvigorated with contemporaneous utterances of love for place, love for family, love for community, and love for cultural traditions. Through the varying practices from eight artists across the United States, Canada, and Việt Nam, the exhibition takes a moment to champion, to celebrate, and to relish in the adaptation of care in culture, community, and tradition; in ways that are alive, new, and transformative. Here/There: Chúng Tôi takes a loving look at the way community is felt, practiced, and received through these shared moments of being and becoming.
As a multi-media show, Here/There: Chúng Tôi is a reflection of community based archival work in contemporary art practices, as a methodology of preserving, creating, and transforming the interstices of culture and care via interjecting with personal histories, readjustment, and alternate narratives in which reinvigorates communal memory and autonomy.
Culture making and community building, shown through this show, is done through the active practice of art making which relies simultaneously on the past and present. Here/There: Chúng Tôi takes a gentle gaze towards tradition and how contemporaneity has transformed the way gestures of care can affect community and shifts between physical, non-physical, and between here and there.
In the toggling between tradition, folklore and myth, memory, heritage, ecology, and place, the artists within the exhibition, articulate their individual lived experiences through different mediums, and memories to reimagine their positions within community. Their work communicates visually and aesthetically how these differing iterations of cultural practices produce a composition of new traditions, and ways to manifest and connect to affect, presence, and participation.